The Web Concordance to Keats

'B-7 | A

-Af | Ag-Al | Am-Aq | Ar-As | At-Az | B-Bec | Bed-Bel | Ben-Bi | Bl | Bo | Br-Bri | Bro-Bz | C-Ce | Ch-Chi | Cho-Cl | Co-Con | Coo-Cra | Cre-Cz | D-Deb | Dec-Dex | Di-Don | Doo-Dra | Dre-Dz | E-Ea | Eb-Em | En-Es | Et-Ez | F-Fan | Far-Fe | Fi | Fl | Fo-For | Fos-Fz | G-Gh | Gi-Gl | Gn-Go | Gr-Gz | H-Har | Has-Hea | Heb- Hol | Hom-Hz | I-Im | In-Iz | J-Jz | K-Ki | Kn-Kz | L-La | Le-Lik | Lil-Lon | Loo-Lz | M-Man | Mar-Me | Mi-Mom | Mon-Mot | Mou-Mz | N-Nep | Ner-Nil | Nim-Nz | O-Of | Oh-Or | Os-Oz | P-Pat | Pau-Pi | Pl-Por | Pos-Pre | Pri-Pz | Q-Qz | R-Rea | Reb-Req | Res-Ri | Ro-Rz | S-Sas | Sat-Sc | Se | Sh | Si-Sk | Sl-Sol | Som-Sow | Sp-Sq | St-Sti | Sto-Sty | Su-Sur | Sus-Sz | T-Tem | Ten-Tho | Thr- Tim | Tin-Tou | Tow-Tri | Tro-Tz | U-Unk | Unl-Unw | Up-Uz | V-Ven | Ver-Vir | Vis-Vz | W-Wat | Wav-We | Wh-Win | Wip-Wz | X-Xz | Y-Yz | Z-Zz About the Concordance

OH................28
| Oh | Peace! and dost thou with thy presence bless | On Peace, Line 1
| Oh | Europe, let not sceptred tyrants see | On Peace, Line 10
| Oh | brush not yet the pearl strung spray, | Stay, ruby breasted warbler, stay, Line 3
| Oh | Chatterton! how very sad thy fate! | Oh Chatterton! how very sad thy fate, Line 1
| Oh | ! how I love, on a fair summer's eve, | Oh! how I love, on a fair summer's eve, Line 1
| Oh | ! what a power has white simplicity! | This pleasant tale is like a little copse, Line 9
| Oh | ! 'twas born to die. | Think not of it, sweet one, so, Line 8
Of heaven! | Oh | Cynthia, ten-times bright and fair! | Endymion: A Poetic Romance, Book II, Line 170
The world has done its duty. Yet, | oh | yet, | Endymion: A Poetic Romance, Book II, Line 728
| Oh | what a wild and harmonized tune | Endymion: A Poetic Romance, Book III, Line 170
| Oh | , no - it shall not pine, and pine, and pine | Endymion: A Poetic Romance, Book III, Line 578
A power overshadows thee! | Oh | , brave! | Endymion: A Poetic Romance, Book III, Line 759
| Oh | ! the sweetness of the pain! | Welcome joy, and welcome sorrow, Line 23
I dare not yet!- | Oh | never will the prize, | Dear Reynolds, as last night I lay in bed, Line 74
| Oh | pain - for since the eagle's earliest scream | Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 25
| Oh | , sweet Fancy! let her loose; | Fancy, Line 67
| Oh | leave me not in this eternal woe, | The Eve of St. Agnes, Line 314
But | oh | ! how unlike marble was that face: | Hyperion: A Fragment, Book I, Line 34
Of these new-form'd art thou, | oh | brightest child! | Hyperion: A Fragment, Book I, Line 319
| Oh | ! monstrous! | Otho the Great, ACT III, SCENE I, Albert, Line 61b
Aye, wife! | Oh | , impudence! | Otho the Great, ACT III, SCENE II, Ludolph, Line 75b
And all men! Vanish - | Oh | ! Oh! Oh! | Otho the Great, ACT IV, SCENE I, Auranthe, Line 184
And all men! Vanish - Oh! | Oh | ! Oh! | Otho the Great, ACT IV, SCENE I, Auranthe, Line 184
And all men! Vanish - Oh! Oh! | Oh | ! | Otho the Great, ACT IV, SCENE I, Auranthe, Line 184
| Oh | ! for enough life to support me on | Otho the Great, ACT V, SCENE II, Albert, Line 1
| Oh | ! thou good man, against whose sacred head | Otho the Great, ACT V, SCENE V, Ludolph, Line 140
| Oh | , my son! my son! | Otho the Great, ACT V, SCENE V, Otho, Line 179b
Quoth the dark page; " | Oh | no!" return'd the Swiss, | The Jealousies, Line 281
OIL...............3
She whisk'd against their eyes the sooty | oil | . | Endymion: A Poetic Romance, Book III, Line 521
Had pour'd a mortal | oil | upon his head, | Hyperion: A Fragment, Book II, Line 97
Which to the | oil | -trade doth great scaith and harm, | The Jealousies, Line 215
OILED.............1
Turn the key deftly in the | oiled | wards, | Sonnet to Sleep, Line 13
OILS..............1
And fragrant | oils | with ceremony meet | Lamia, PART II, Line 194
OLD...............177
Hadst thou liv'd in days of | old | , | Hadst thou liv'd in days of old, Line 1
From the worn top of some | old | battlement | Specimen of an Induction to a Poem, Line 15
Some tale of love and arms in time of | old | . | To My Brother George (epistle), Line 18
Of Flora, and | old | Pan: sleep in the grass, | Sleep and Poetry, Line 102
As she was wont of | old | ? prepare her steeds, | Sleep and Poetry, Line 165
Affright you? Did our | old | lamenting Thames | Sleep and Poetry, Line 212
As a large cross, some | old | cathedral's crest, | Sleep and Poetry, Line 296
What first inspired a bard of | old | to sing | I stood tip-toe upon a little hill, Line 163
Was at his | old | labor, | God of the golden bow, Line 30
Wasting of | old | time - with a billowy main - | On Seeing the Elgin Marbles, Line 13
Of Hecate leaves them their | old | shadowy sound. | On the Sea, Line 4
Sit ye near some | old | cavern's mouth and brood | On the Sea, Line 13
Your sceptre worth a straw, your cushions | old | door mats." | Before he went to live with owls and bats, Line 8
Supports an | old | bishop and crosier; | The Gothic looks solemn, Line 3
| Old | Jonah went to C. | O grant that like to Peter I, Line 4
Trees | old | , and young sprouting a shady boon | Endymion: A Poetic Romance, Book I, Line 14
About | old | forests; while the willow trails | Endymion: A Poetic Romance, Book I, Line 43
To feel this sun-rise and its glories | old | . | Endymion: A Poetic Romance, Book I, Line 106
Of their | old | piety, and of their glee: | Endymion: A Poetic Romance, Book I, Line 130
To stammer where | old | Chaucer used to sing. | Endymion: A Poetic Romance, Book I, Line 134
By the dim echoes of | old | Triton's horn: | Endymion: A Poetic Romance, Book I, Line 206
But in | old | marbles ever beautiful. | Endymion: A Poetic Romance, Book I, Line 319
Or the | old | eyes dissolving at his woe, | Endymion: A Poetic Romance, Book I, Line 400
Frozen in that | old | tale Arabian. | Endymion: A Poetic Romance, Book I, Line 406
Then | old | songs waken from enclouded tombs; | Endymion: A Poetic Romance, Book I, Line 787
| Old | ditties sigh above their father's grave; | Endymion: A Poetic Romance, Book I, Line 788
Many | old | rotten-timber'd boats there be | Endymion: A Poetic Romance, Book II, Line 18
Though | old | Ulysses tortured from his slumbers | Endymion: A Poetic Romance, Book II, Line 26
Alas! 'tis his | old | grief. For many days, | Endymion: A Poetic Romance, Book II, Line 47
Like | old | Deucalion mountain'd o'er the flood, | Endymion: A Poetic Romance, Book II, Line 197
| Old | darkness from his throne: 'twas like the sun | Endymion: A Poetic Romance, Book II, Line 246
Down sidelong aisles, and into niches | old | . | Endymion: A Poetic Romance, Book II, Line 264
Feeling about for its | old | couch of space | Endymion: A Poetic Romance, Book II, Line 336
To its | old | channel, or a swollen tide | Endymion: A Poetic Romance, Book II, Line 340
| Old | ocean rolls a lengthened wave to the shore, | Endymion: A Poetic Romance, Book II, Line 348
| Old | Atlas' children? Art a maid of the waters, | Endymion: A Poetic Romance, Book II, Line 690
O fountain'd hill! | Old | Homer's Helicon! | Endymion: A Poetic Romance, Book II, Line 717
That there is no | old | power left to steep | Endymion: A Poetic Romance, Book II, Line 731
Half lost, and all | old | hymns made nullity! | Endymion: A Poetic Romance, Book II, Line 794
By a cavern wind unto a forest | old | ; | Endymion: A Poetic Romance, Book II, Line 831
Of the | old | bards to mighty deeds: his plans | Endymion: A Poetic Romance, Book II, Line 895
And set those | old | Chaldeans to their tasks.- | Endymion: A Poetic Romance, Book III, Line 21
Aye, 'bove the withering of | old | -lipp'd Fate | Endymion: A Poetic Romance, Book III, Line 29
O Moon! | old | boughs lisp forth a holier din | Endymion: A Poetic Romance, Book III, Line 54
| Old | rusted anchors, helmets, breast-plates large | Endymion: A Poetic Romance, Book III, Line 123
An | old | man sitting calm and peacefully. | Endymion: A Poetic Romance, Book III, Line 192
Upon a weeded rock this | old | man sat, | Endymion: A Poetic Romance, Book III, Line 193
Beside this | old | man lay a pearly wand, | Endymion: A Poetic Romance, Book III, Line 213
The | old | man rais'd his hoary head and saw | Endymion: A Poetic Romance, Book III, Line 218
I bow full hearted to your | old | decree! | Endymion: A Poetic Romance, Book III, Line 252
I care not for this | old | mysterious man!" | Endymion: A Poetic Romance, Book III, Line 280
But even now most miserable | old | , | Endymion: A Poetic Romance, Book III, Line 303
O such deformities! | Old | Charon's self, | Endymion: A Poetic Romance, Book III, Line 503
| Old | Eolus would stifle his mad spleen, | Endymion: A Poetic Romance, Book III, Line 653
When at my feet emerg'd an | old | man's hand, | Endymion: A Poetic Romance, Book III, Line 669
For each their | old | love found. A murmuring rose, | Endymion: A Poetic Romance, Book III, Line 824
Thou frownest, and | old | Eolus thy foe | Endymion: A Poetic Romance, Book III, Line 951
Smooth-moving came Oceanus the | old | , | Endymion: A Poetic Romance, Book III, Line 994
And thou, | old | forest, hold ye this for true, | Endymion: A Poetic Romance, Book IV, Line 77
| Old | Tartary the fierce! | Endymion: A Poetic Romance, Book IV, Line 262
From the | old | womb of night, his cave forlorn | Endymion: A Poetic Romance, Book IV, Line 372
Or from | old | Skiddaw's top, when fog conceals | Endymion: A Poetic Romance, Book IV, Line 394
Leaving | old | Sleep within his vapoury lair. | Endymion: A Poetic Romance, Book IV, Line 483
Forgetting the | old | tale. | Endymion: A Poetic Romance, Book IV, Line 780a
Through the | old | garden-ground of boyish days. | Endymion: A Poetic Romance, Book IV, Line 784
For the soothsayers | old | saw yesternight | Endymion: A Poetic Romance, Book IV, Line 829
And by | old | Rhadamanthus' tongue of doom, | Endymion: A Poetic Romance, Book IV, Line 953
By | old | Saturnus' forelock, by his head | Endymion: A Poetic Romance, Book IV, Line 956
| Old | scholar of the spheres! | Lines on Seeing a Lock of Milton's Hair, Line 2
With | old | philosophy; | Lines on Seeing a Lock of Milton's Hair, Line 30
When through the | old | oak forest I am gone, | On Sitting Down to Read King Lear Once Again, Line 11
An astrologer's | old | quill | Lines on the Mermaid Tavern, Line 16
Underneath a new | old | sign | Lines on the Mermaid Tavern, Line 19
Away with | old | hock and madeira! | Hence burgundy, claret, and port, Line 2
And their hours are | old | and gray, | Robin Hood, Line 2
Some | old | hunting ditty, while | Robin Hood, Line 27
Honour to the | old | bow-string! | Robin Hood, Line 50
Son of the | old | moon-mountains African! | To the Nile, Line 1
| Old | Socrates a tying his cravat; | Dear Reynolds, as last night I lay in bed, Line 9
From some | old | magic like Urganda's sword. | Dear Reynolds, as last night I lay in bed, Line 29
And pannier'd mules for ducats and | old | lies- | Isabella; or, The Pot of Basil, Line 134
To make | old | prose in modern rhyme more sweet: | Isabella; or, The Pot of Basil, Line 156
That | old | nurse stood beside her wondering, | Isabella; or, The Pot of Basil, Line 377
O for the gentleness of | old | Romance, | Isabella; or, The Pot of Basil, Line 387
Fair reader, at the | old | tale take a glance, | Isabella; or, The Pot of Basil, Line 389
O give me their | old | vigour, and unheard, | Mother of Hermes! and still youthful Maia, Line 9
And may it taste to you like good | old | wine, | Give me your patience, sister, while I frame, Line 19
When adieux have grown | old | and goodbyes | Sweet, sweet is the greeting of eyes, Line 3
Fade away where | old | time is retreating. | Sweet, sweet is the greeting of eyes, Line 4
| Old | Meg she was a gipsey, | Old Meg she was a gipsey, Line 1
And with her fingers | old | and brown | Old Meg she was a gipsey, Line 21
| Old | Meg was brave as Margaret Queen | Old Meg she was a gipsey, Line 25
An | old | red blanket cloak she wore; | Old Meg she was a gipsey, Line 27
For | old | ones | There was a naughty boy, Line 16
My pulse is warm with thine | old | barley-bree, | This mortal body of a thousand days, Line 5
Has any here an | old | grey mare | All gentle folks who owe a grudge, Line 9
There is a pleasure on the heath where Druids | old | have been, | There is a joy in footing slow across a silent plain, Line 3
There is a joy in every spot made known by times of | old | , | There is a joy in footing slow across a silent plain, Line 5
When shapes of | old | come striding by and visages of old, | There is a joy in footing slow across a silent plain, Line 37
When shapes of old come striding by and visages of | old | , | There is a joy in footing slow across a silent plain, Line 37
To do an honor to your | old | bald pate | Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 3
And if not Mr. Bates, why I'm not | old | ! | Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 19
It cannot be! My | old | eyes are not true! | Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 28
By my | old | night cap, night cap night and day, | Upon my life, Sir Nevis, I am piqu'd, BEN NEVIS, Line 42
| Old | "Mene, Mene, Tekel, Upharsin." | Fragment of Castle-builder, CASTLE BUILDER, Line 54
Than on the marble fairness of | old | Greece. | Fragment of Castle-builder, CASTLE BUILDER, Line 61
That the jealous, the jealous | old | baldpate may hear, | Hush, hush, tread softly, hush, hush, my dear, Line 3
The | old | man may sleep, and the planets may wink; | Hush, hush, tread softly, hush, hush, my dear, Line 20
Like pious incense from a censer | old | , | The Eve of St. Agnes, Line 7
Of | old | romance. These let us wish away, | The Eve of St. Agnes, Line 41
As she had heard | old | dames full many times declare. | The Eve of St. Agnes, Line 45
Save one | old | beldame, weak in body and in soul. | The Eve of St. Agnes, Line 90
Then there's that | old | Lord Maurice, not a whit | The Eve of St. Agnes, Line 103
And Madeline asleep in lap of legends | old | . | The Eve of St. Agnes, Line 135
| Old | Angela was feeling for the stair, | The Eve of St. Agnes, Line 191
Were long be-nightmar'd. Angela the | old |  | The Eve of St. Agnes, Line 375
Dwelling in the | old | Minster Square; | The Eve of St. Mark, Line 40
On ceiling beam and | old | oak chair, | The Eve of St. Mark, Line 75
To the knotty side of an | old | pollard tree | When they were come unto the Faery's court, Line 84
His | old | right hand lay nerveless, listless, dead, | Hyperion: A Fragment, Book I, Line 18
"Saturn, look up!- though wherefore, poor | old | King? | Hyperion: A Fragment, Book I, Line 52
Until at length | old | Saturn lifted up | Hyperion: A Fragment, Book I, Line 89
Groan'd for the | old | allegiance once more, | Hyperion: A Fragment, Book I, Line 162
And bid | old | Saturn take his throne again."- | Hyperion: A Fragment, Book I, Line 250
Up to the zenith,- hieroglyphics | old | , | Hyperion: A Fragment, Book I, Line 277
Studied from that | old | spirit-leaved book | Hyperion: A Fragment, Book II, Line 133
In glory that | old | Darkness: nor are we | Hyperion: A Fragment, Book II, Line 215
And every gulf, and every chasm | old | , | Hyperion: A Fragment, Book II, Line 360
There those four shouted forth | old | Saturn's name; | Hyperion: A Fragment, Book II, Line 387
Many a fallen | old | Divinity | Hyperion: A Fragment, Book III, Line 8
Who hath forsaken | old | and sacred thrones | Hyperion: A Fragment, Book III, Line 77
In the earth's wide entrails | old |  | Song of Four Fairies: Fire, Air, Earth, and Water, SALAMANDER, Line 69
When | old | age shall this generation waste, | Ode on a Grecian Urn, Line 46
Seem'd to say- "Sleep, | old | man, in safety sleep; | Otho the Great, ACT I, SCENE II, Otho, Line 61
An | old | lion sugar-cates of mild reprieve? | Otho the Great, ACT I, SCENE II, Otho, Line 172
From Gersa's tents. Farewell, | old | Ethelbert. | Otho the Great, ACT I, SCENE II, Otho, Line 199
Peace! peace, | old | man! I cannot think she is. | Otho the Great, ACT II, SCENE II, Gersa, Line 130
For | old | serge hangings,- me, your humble friend, | Otho the Great, ACT III, SCENE I, Sigifred, Line 36
The news is scarce a minute | old | with me. | Otho the Great, ACT III, SCENE I, Sigifred, Line 58
And | old | romances; but I'll break the spell. | Otho the Great, ACT III, SCENE II, Otho, Line 48
Ludolph, | old | Ethelbert, be sure, comes not | Otho the Great, ACT III, SCENE II, Otho, Line 107
| Old | abbot, stand here forth. Lady Erminia, | Otho the Great, ACT III, SCENE II, Otho, Line 111
But an | old | man's is narrow, tenantless | Otho the Great, ACT III, SCENE II, Ethelbert, Line 183
Here, Albert, this | old | phantom wants a proof! | Otho the Great, ACT III, SCENE II, Ludolph, Line 207
The lady weeping, the | old | abbot cowl'd. | Otho the Great, ACT V, SCENE III, Gonfrid, Line 12
Or of | old | AEtna's pulpy wine-presses, | Otho the Great, ACT V, SCENE V, Ludolph, Line 123
Among the Gods, upon Olympus | old | , | Lamia, PART I, Line 71
Not one hour | old | , yet of sciential brain | Lamia, PART I, Line 191
From Pyrrha's pebbles or | old | Adam's seed. | Lamia, PART I, Line 333
Is that | old | man? I cannot bring to mind | Lamia, PART I, Line 372
| Old | Apollonius - from him keep me hid." | Lamia, PART II, Line 101
The | old | man through the inner doors broad-spread; | Lamia, PART II, Line 170
What for the sage, | old | Apollonius? | Lamia, PART II, Line 222
From his | old | teacher's wrinkled countenance, | Lamia, PART II, Line 244
To thin the scarlet conclave of | old | men, | The Fall of Hyperion: A Dream, CANTO I, Line 50
Of an | old | sanctuary with roof august, | The Fall of Hyperion: A Dream, CANTO I, Line 62
So | old | the place was, I remembered none | The Fall of Hyperion: A Dream, CANTO I, Line 65
Against rebellion: this | old | image here, | The Fall of Hyperion: A Dream, CANTO I, Line 224
No farther than to where | old | Saturn's feet | The Fall of Hyperion: A Dream, CANTO I, Line 320
His | old | right hand lay nerveless, listless, dead, | The Fall of Hyperion: A Dream, CANTO I, Line 323
Until | old | Saturn rais'd his faded eyes, | The Fall of Hyperion: A Dream, CANTO I, Line 400
Methought I heard some | old | man of the earth | The Fall of Hyperion: A Dream, CANTO I, Line 440
Groan for the | old | allegiance once more, | The Fall of Hyperion: A Dream, CANTO II, Line 11
In my | old | liberty? | What can I do to drive away, Line 6
As in | old | pictures tender cherubim | The Jealousies, Line 37
Close at your back, that sly | old | Crafticant? | The Jealousies, Line 49
And for the nephew of | old | Palfior, | The Jealousies, Line 147
And to | old | Hum through street and alley hied; | The Jealousies, Line 205
A thimble-full of | old | Jamaica rum." | The Jealousies, Line 363
Live!- O! at Canterbury, with her | old | grand-dame." | The Jealousies, Line 387
Charm'd into ever freezing, lay an | old |  | The Jealousies, Line 512
Like the | old | pageant of Aurora's train, | The Jealousies, Line 578
I say, | old | hocus, have you such a thing | The Jealousies, Line 600
Thank you, | old | mummy!- now securely I take wing." | The Jealousies, Line 603
| Old | Crafticant will smoke me, by-the-bye! | The Jealousies, Line 615
About this time,- a sad | old | figure of fun; | The Jealousies, Line 656
I met, far gone in liquor, that | old | man, | The Jealousies, Line 786
OLDEN.............4
Even for common bulk, those | olden | three, | Endymion: A Poetic Romance, Book III, Line 848
Shut up thine | olden | pages, and be mute. | On Sitting Down to Read King Lear Once Again, Line 4
Gone mad through | olden | songs and poesies. | Dear Reynolds, as last night I lay in bed, Line 54
He sipp'd no | olden | Tom, or ruin blue, | Character of C.B., Line 21
OLDEST............2
O Moon! the | oldest | shades 'mong oldest trees | Endymion: A Poetic Romance, Book III, Line 52
O Moon! the oldest shades 'mong | oldest | trees | Endymion: A Poetic Romance, Book III, Line 52
OLIVE.............3
To some high noble and his | olive | -trees. | Isabella; or, The Pot of Basil, Line 168
Each like a dove leaving its | olive | perch, | Hyperion: A Fragment, Book II, Line 286
It was my chance to meet his | olive | brow, | Otho the Great, ACT I, SCENE II, Albert, Line 54
OLIVES............1
Rejoice, O Delos, with thine | olives | green, | Hyperion: A Fragment, Book III, Line 24
OLYMPIAN..........3
The | Olympian | eagle's vision, is dark, | Endymion: A Poetic Romance, Book II, Line 911
O were I one of the | Olympian | twelve, | Extracts from an Opera, [first section] Line 1
With one of his well-pleas'd | Olympian | oaths, | Otho the Great, ACT I, SCENE III, Sigifred, Line 14
OLYMPIANS.........1
Fluttering among the faint | Olympians | , | Ode to Psyche, Line 42
OLYMPUS...........6
Who from | Olympus | watch our destinies! | Endymion: A Poetic Romance, Book I, Line 605
| Olympus | ! we are safe! Now, Carian, break | Endymion: A Poetic Romance, Book III, Line 764
Of high | Olympus | utter'd slavish sighs. | Nature withheld Cassandra in the skies, Line 8
Found way unto | Olympus | , and made quake | Hyperion: A Fragment, Book I, Line 146
From high | Olympus | had he stolen light, | Lamia, PART I, Line 9
Among the Gods, upon | Olympus | old, | Lamia, PART I, Line 71
OLYMPUS'..........2
Had waned from | Olympus' | solemn height, | Endymion: A Poetic Romance, Book II, Line 784
Of all | Olympus' | faded hierarchy! | Ode to Psyche, Line 25
OMEGA.............1
The pale | Omega | of a wither'd race, | The Fall of Hyperion: A Dream, CANTO I, Line 288
OMEN..............1
Bad | omen | - this new match can't be a happy one. | The Jealousies, Line 657
OMENS.............1
For as among us mortals | omens | drear | Hyperion: A Fragment, Book I, Line 169
OMINOUS...........1
Where these are new and strange, are | ominous | . | Endymion: A Poetic Romance, Book III, Line 911
OMIT..............1
a memorable instance in this kind, which I may not | omit | , of one Menippus Lycius, | Lamia, Keats's Footnote from Burton,
OMNIPOTENT........1
Of the | omnipotent | Father, cleavest the air, | As from the darkening gloom a silver dove, Line 12
ON'T..............6
And emptied | on't | a black dull-gurgling phial: | Endymion: A Poetic Romance, Book III, Line 515
And curb'd, think | on't | , O Latmian! did I sit | Endymion: A Poetic Romance, Book III, Line 663
That bone, fie | on't | , bears just the shape | O Some Skulls in Beauley Abbey, near Inverness, Line 81
I have mine own particular comments | on't | ; | Otho the Great, ACT II, SCENE I, Ludolph, Line 43
I ache to think | on't | . | Otho the Great, ACT V, SCENE III, Theodore, Line 13b
Now I think | on't | , perhaps I could convince | The Jealousies, Line 473
ONE'S.............7
| One's | thoughts from such a beauty; when I hear | Woman! when I behold thee flippant, vain, Line 37
And | one's | own image from the bottom peep? | Endymion: A Poetic Romance, Book III, Line 332
| One's | senses with so dense a breathing stuff | Endymion: A Poetic Romance, Book III, Line 381
And each | one's | gentle wrists, with reverence, | Endymion: A Poetic Romance, Book III, Line 743
Moods of | one's | mind! You know I hate them well, | Dear Reynolds, as last night I lay in bed, Line 106
To follow | one's | nose | There was a naughty boy, Line 55
To follow | one's | nose to the north! | There was a naughty boy, Line 58
ONENESS...........1
Into a sort of | oneness | , and our state | Endymion: A Poetic Romance, Book I, Line 796
ONES..............6
The mighty | ones | who have made eternal day | Endymion: A Poetic Romance, Book II, Line 253
Schooling its half-fledg'd little | ones | to brush | Endymion: A Poetic Romance, Book IV, Line 130
But there are higher | ones | I may not see, | Endymion: A Poetic Romance, Book IV, Line 853
For old | ones |  | There was a naughty boy, Line 16
We fair | ones | show a preference, too blind! | Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 8
The mitred | ones | of Nice and Trent | O Some Skulls in Beauley Abbey, near Inverness, Line 7
ONLY..............28
But thy soft note - its | only | joy. | Stay, ruby breasted warbler, stay, Line 20
That breast, earth's | only | paradise! | Fill for me a brimming bowl, Line 16
Gorgeous as I would have it - | only | I see | On Receiving a Laurel Crown from Leigh Hunt, Line 10
To a wide lawn, whence one could | only | see | Endymion: A Poetic Romance, Book I, Line 82
| Only | I pray, as fairest boon, to die, | Endymion: A Poetic Romance, Book III, Line 550
Warm mountaineer! for canst thou | only | bear | Endymion: A Poetic Romance, Book IV, Line 54
One moment from his home: | only | the sward | Endymion: A Poetic Romance, Book IV, Line 335
Bright signal that she | only | stoop'd to tie | Endymion: A Poetic Romance, Book IV, Line 500
"I would have thee my | only | friend, sweet maid! | Endymion: A Poetic Romance, Book IV, Line 849
My | only | visitor! not ignorant though, | Endymion: A Poetic Romance, Book IV, Line 850
For it | only | will last our youth out; | O blush not so! O blush not so, Line 14
O thou whose | only | book has been the light | O thou whose face hath felt the winter's wind, Line 5
| Only | to meet again more close, and share | Isabella; or, The Pot of Basil, Line 75
Is mist and crag - not | only | on this height, | Read me a lesson, Muse, and speak it loud, Line 13
A buried miser's | only | son, | O Some Skulls in Beauley Abbey, near Inverness, Line 74
My heart began to burn - and | only | pains, | Nature withheld Cassandra in the skies, Line 10
And | only | blind from sheer supremacy, | Hyperion: A Fragment, Book II, Line 185
And yet she answer'd not, | only | complain'd, | Hyperion: A Fragment, Book II, Line 249
Known | only | to his troop, hath greater plea | Otho the Great, ACT I, SCENE III, Ludolph, Line 28
Is not the | only | proud heart in his realm. | Otho the Great, ACT I, SCENE III, Ludolph, Line 57
Grey-growing. To thee | only | I appeal, | Otho the Great, ACT III, SCENE II, Ethelbert, Line 177
The | only | sad one; for thou didst not hear | Lamia, PART I, Line 72
Telling me | only | where my nymph is fled,- | Lamia, PART I, Line 86
| Only | the dreamer venoms all his days, | The Fall of Hyperion: A Dream, CANTO I, Line 175
To what I erewhile heard: | only | his lips | The Fall of Hyperion: A Dream, CANTO I, Line 450
No,- wine is | only | sweet to happy men; | What can I do to drive away, Line 27
His speech, his | only | words were "yes" and "no," | The Jealousies, Line 185
I've said it, sire; you | only | have to choose | The Jealousies, Line 437
ONSET.............1
Escapes, makes fiercer | onset | , the anew | King Stephen ACT I, SCENE II, First Captain, Line 13
ONWARD............15
Flit | onward | - now a lovely wreath of girls | Sleep and Poetry, Line 149
Easily | onward | , thorough flowers and weed. | Endymion: A Poetic Romance, Book I, Line 62
| Onward | it flies. From languor's sullen bands | Endymion: A Poetic Romance, Book II, Line 66
And | onward | to another city speeds. | Endymion: A Poetic Romance, Book II, Line 152
| Onward | he goes - he stops - his bosom beats | Endymion: A Poetic Romance, Book II, Line 355
He | onward | kept; wooing these thoughts to steal | Endymion: A Poetic Romance, Book III, Line 140
And | onward | went upon his high employ, | Endymion: A Poetic Romance, Book III, Line 783
At every | onward | step proud domes arose | Endymion: A Poetic Romance, Book III, Line 836
Still | onward | ; still the splendour gradual swell'd. | Endymion: A Poetic Romance, Book III, Line 840
| Onward | the tiger and the leopard pants, | Endymion: A Poetic Romance, Book IV, Line 241
| Onward | these myriads - with song and dance, | Endymion: A Poetic Romance, Book IV, Line 243
A little | onward | ran the very stream | Endymion: A Poetic Romance, Book IV, Line 785
| Onward | I look'd beneath the gloomy boughs, | The Fall of Hyperion: A Dream, CANTO I, Line 297
| Onward | from the antichamber of this dream, | The Fall of Hyperion: A Dream, CANTO I, Line 465
" | Onward | we floated o'er the panting streets, | The Jealousies, Line 730
ONWARDS...........1
First | onwards | in, among the fallen tribe. | Hyperion: A Fragment, Book II, Line 100
OOZ'D.............2
Tawny and gold, | ooz'd | slowly from far lands | Endymion: A Poetic Romance, Book II, Line 114
Of happiness, from fairy-press | ooz'd | out. | Endymion: A Poetic Romance, Book III, Line 802
OOZE..............4
The | ooze | -born Goddess beckoned and drew | Endymion: A Poetic Romance, Book III, Line 893
And warm with dew at | ooze | from living blood! | Endymion: A Poetic Romance, Book IV, Line 667
And divine liquids come with odorous | ooze |  | Isabella; or, The Pot of Basil, Line 411
His Druid locks to shake and | ooze | with sweat, | Hyperion: A Fragment, Book I, Line 137
OOZINGS...........1
Thou watchest the last | oozings | hours by hours. | To Autumn, Line 22
OOZY..............2
A new magnificence. On | oozy | throne | Endymion: A Poetic Romance, Book III, Line 993
Arose, with locks not | oozy | , and began, | Hyperion: A Fragment, Book II, Line 170
OPAL..............1
Rich | opal | domes were seen, on high upheld | Endymion: A Poetic Romance, Book III, Line 841
OPAQUE............1
Dungeon'd in | opaque | element, to keep | Hyperion: A Fragment, Book II, Line 23
OPE...............8
And scarcely stays to | ope | the folding doors: | Calidore: A Fragment, Line 70
Yet can I | ope | thy window-sash to find | This mortal body of a thousand days, Line 10
Why should I | ope | thy melancholy eyes? | Hyperion: A Fragment, Book I, Line 70
Then, as was wont, his palace-door flew | ope |  | Hyperion: A Fragment, Book I, Line 205
A bright torch, and a casement | ope | at night, | Ode to Psyche, Line 66
We are all weary - faint - set | ope | the doors- | Otho the Great, ACT V, SCENE V, Ludolph, Line 194
Why should I | ope | thy melancholy eyes? | The Fall of Hyperion: A Dream, CANTO I, Line 370
The little Bertha's eyes | ope | on the stars serene." | The Jealousies, Line 396
OPED..............1
The doors all look as if they | oped | themselves, | Dear Reynolds, as last night I lay in bed, Line 49
OPEN..............43
My ear is | open | like a greedy shark, | Woman! when I behold thee flippant, vain, Line 27
Spenser! thy brows are arched, | open | , kind, | Specimen of an Induction to a Poem, Line 49
And | open | face of heaven,- to breathe a prayer | To one who has been long in city pent, Line 3
When these enchanted portals | open | wide, | To My Brother George (epistle), Line 33
That freshly terminate in | open | plains, | To Charles Cowden Clarke, Line 116
That stays one moment in an | open | flower, | Sleep and Poetry, Line 3
| Open | afresh your round of starry folds, | I stood tip-toe upon a little hill, Line 47
Of heaven appear'd to | open | for my flight, | Endymion: A Poetic Romance, Book I, Line 582
To follow it upon the | open | plain, | Endymion: A Poetic Romance, Book I, Line 892
Queen Venus leaning downward | open | arm'd: | Endymion: A Poetic Romance, Book II, Line 526
These dreary caverns for the | open | sky. | Endymion: A Poetic Romance, Book II, Line 987
Ere it burst | open | swift as fairy thought, | Endymion: A Poetic Romance, Book III, Line 857
| Open | your ears and stay your trudge | All gentle folks who owe a grudge, Line 3
| Open | wide the mind's cage-door, | Fancy, Line 7
| Open | thine eyes, for meek St. Agnes' sake, | The Eve of St. Agnes, Line 278
Her blue affrayed eyes wide | open | shone: | The Eve of St. Agnes, Line 296
Her eyes were | open | , but she still beheld, | The Eve of St. Agnes, Line 298
Burst the door | open | , quick - or I declare | When they were come unto the Faery's court, Line 16
| Open | thine eyes eterne, and sphere them round | Hyperion: A Fragment, Book I, Line 117
He ground severe his skull, with | open | mouth | Hyperion: A Fragment, Book II, Line 51
Came | open | -eyed to guess what we would speak:- | Hyperion: A Fragment, Book II, Line 338
| Open | eyes that never daze: | Song of Four Fairies: Fire, Air, Earth, and Water, SALAMANDER, Line 12
The | open | casement press'd a new-leaved vine, | Ode on Indolence, Line 47
A few days since, I was an | open | rebel,- | Otho the Great, ACT I, SCENE I, Conrad, Line 37
Appear'd, a sudden host, in the | open | day. | Otho the Great, ACT I, SCENE I, Conrad, Line 49
Nor judge my | open | purposes awry. | Otho the Great, ACT I, SCENE II, Otho, Line 141
Frank, | open | , generous; Albert I may trust. | Otho the Great, ACT II, SCENE II, Erminia, Line 23
Our ear is | open | . First we here denounce | Otho the Great, ACT III, SCENE II, Otho, Line 113
Nay | open | speech, rude mockery grown common, | Otho the Great, ACT III, SCENE II, Ethelbert, Line 131
Here is the Duke, waiting with | open | arms | Otho the Great, ACT III, SCENE II, Erminia, Line 249
His eyes are fix'd still on the | open | doors, | Otho the Great, ACT IV, SCENE II, Gersa, Line 64
Through the dark ways they chose to the | open | air; | Otho the Great, ACT IV, SCENE II, Page, Line 125
| Open | the door; let's hear if all is quiet. | Otho the Great, ACT V, SCENE IV, Otho, Line 35
| Open | it straight;- hush!- quiet!- my lost boy! | Otho the Great, ACT V, SCENE IV, Otho, Line 37
[The doors | open | . Enter Page. Several women are seen | Otho the Great, ACT V, SCENE V, S.D. to Line 187
Saving a tythe which love still | open | kept, | Lamia, PART II, Line 24
He answer'd, bending to her | open | eyes, | Lamia, PART II, Line 46
Where even at the | open | doors awhile | The Fall of Hyperion: A Dream, CANTO I, Line 466
Spoken to in clear, plain, and | open | terms, | King Stephen ACT I, SCENE IV, Maud, Line 15
The Magazin des Modes now | open | is | The Jealousies, Line 283
" | Open | the window, Hum; I'm ready now!" | The Jealousies, Line 541
Or on the | open | turf their soothed eyelids closed. | The Jealousies, Line 693
At the | open | doors, with wide saluting eyes, | The Jealousies, Line 758
OPEN'D............2
| Open'd | upon the dusk demesnes of night; | Hyperion: A Fragment, Book I, Line 298
She felt the warmth, her eyelids | open'd | bland, | Lamia, PART I, Line 141
OPENED............2
| Opened | again, and from without, in shone | Endymion: A Poetic Romance, Book III, Line 992
| Opened | - she enter'd with her servants three. | When they were come unto the Faery's court, Line 72
OPENER............1
Dread | opener | of the mysterious doors | Endymion: A Poetic Romance, Book I, Line 288
OPENEST...........1
Into mine own: for why? thou | openest |  | Endymion: A Poetic Romance, Book III, Line 295
OPENING...........8
We will hasten, my fair, to the | opening | glades, | O come, dearest Emma!, Line 5
Is the swift | opening | of their wide portal, | To My Brother George (epistle), Line 30
Of words at | opening | a portfolio. | Sleep and Poetry, Line 338
Fresh for the | opening | of the morning's eye. | On Seeing the Elgin Marbles, Line 8
| Opening | his eyelids with a healthier brain, | Endymion: A Poetic Romance, Book I, Line 465
And lo! from | opening | clouds, I saw emerge | Endymion: A Poetic Romance, Book I, Line 591
Charm'd magic casements, | opening | on the foam | Ode to a Nightingale, Line 69
A Cabinet, | opening | towards a Terrace. | Otho the Great, ACT V, SCENE IV, Setting
OPENS.............1
[Goes to the door, listens, and | opens | it. Enter ALBERT. | Otho the Great, ACT IV, SCENE I, S.D. to Line 106
OPERATE...........1
Doth | operate | quietly when his breath is gone: | Otho the Great, ACT V, SCENE II, Albert, Line 42
OPERATIONS........2
Have bared their | operations | to this globe- | Endymion: A Poetic Romance, Book III, Line 35
Therefore the | operations | of the dawn | Hyperion: A Fragment, Book I, Line 294
OPES..............1
Each | opes | delighted at thy lay. | Stay, ruby breasted warbler, stay, Line 12
OPIATE............2
Or emptied some dull | opiate | to the drains | Ode to a Nightingale, Line 3
And | opiate | for the conscience have I none! | Otho the Great, ACT I, SCENE I, Albert, Line 158
OPINION...........1
"Mr. Nisby is of | opinion | that laced coffee is bad | The Jealousies, Keats's Note to Line 365
OPIUM.............1
You vext with bad revolt? Was't | opium | , | Otho the Great, ACT I, SCENE III, Sigifred, Line 34
OPPOSE............1
And canst | oppose | to each malignant hour | Hyperion: A Fragment, Book I, Line 339
OPPOSITE..........5
Towards a bowery island | opposite | ; | Endymion: A Poetic Romance, Book I, Line 428
And | opposite | the stedfast eye doth meet | Fragment of Castle-builder, CASTLE BUILDER, Line 51
Just | opposite | , an island of the sea, | Hyperion: A Fragment, Book II, Line 275
Full brimm'd, and | opposite | sent forth a look | Lamia, PART II, Line 242
Diverse, sheer | opposite | , antipodes. | The Fall of Hyperion: A Dream, CANTO I, Line 200
OPPOSITION........2
A total | opposition | ? No one. So | Endymion: A Poetic Romance, Book III, Line 693
I'll make the | opposition | -benches wince, | The Jealousies, Line 138
OPPRESS...........1
A brace of toads, than league with them t' | oppress |  | Otho the Great, ACT IV, SCENE I, Albert, Line 164
OPPRESS'D.........5
With the base purple of a court | oppress'd | , | To Hope, Line 39
At that | oppress'd | I hurried in.- Ah! where | Endymion: A Poetic Romance, Book I, Line 970
I am so | oppress'd | with joy! Why, I have shed | Endymion: A Poetic Romance, Book III, Line 431
Until the poppied warmth of sleep | oppress'd |  | The Eve of St. Agnes, Line 237
Indeed too much | oppress'd | . May I be bold | Otho the Great, ACT II, SCENE I, Conrad, Line 53
OPPRESSED.........2
After dark vapours have | oppressed | our plains | After dark vapours have oppressed our plains, Line 1
And he | oppressed | . Yet he shall not die, | Endymion: A Poetic Romance, Book III, Line 695
OPPRESSIVE........1
Stifled beneath the thick | oppressive | shade | Otho the Great, ACT V, SCENE I, Ludolph, Line 19
OPPREST...........1
The prison gates that have so long | opprest |  | Endymion: A Poetic Romance, Book III, Line 296
OPPROBRIOUS.......1
My joys with such | opprobrious | surprise? | Otho the Great, ACT III, SCENE II, Ludolph, Line 80
OPS...............2
Of | Ops | the queen all clouded round from sight; | Hyperion: A Fragment, Book II, Line 78
And | Ops | , uplifting her black folded veil, | Hyperion: A Fragment, Book II, Line 113
ORACLE............2
No shrine, no grove, no | oracle | , no heat | Ode to Psyche, Line 34
Thy shrine, thy grove, thy | oracle | , thy heat | Ode to Psyche, Line 48
ORACULAR..........1
Till this | oracular | couplet met his eye | The Jealousies, Line 454
ORANGE............1
Why were they proud? Because fair | orange | -mounts | Isabella; or, The Pot of Basil, Line 123
ORANGES...........1
My terrace is well bowered with | oranges | . | Fragment of Castle-builder, CASTLE BUILDER, Line 34
ORAT'RIES.........2
Knights, ladies, praying in dumb | orat'ries | , | The Eve of St. Agnes, Line 16
Warm from their fireside | orat'ries | , | The Eve of St. Mark, Line 16
ORATORY...........1
Your | oratory | ; your breath is not so hitch'd. | Otho the Great, ACT V, SCENE II, Ludolph, Line 47
ORB...............4
But, gentle | Orb | ! there came a nearer bliss- | Endymion: A Poetic Romance, Book III, Line 175
The planet | orb | of fire, whereon he rode | Hyperion: A Fragment, Book I, Line 269
Their wisdom long since fled.- Two wings this | orb |  | Hyperion: A Fragment, Book I, Line 283
Eager to sail their | orb | ; the porches wide | Hyperion: A Fragment, Book I, Line 297
ORBED.............7
Her pearl round ears, white neck, and | orbed | brow; | Endymion: A Poetic Romance, Book I, Line 616
There hangs by unseen film, an | orbed | drop | Endymion: A Poetic Romance, Book I, Line 806
Descried an | orbed | diamond, set to fray | Endymion: A Poetic Romance, Book II, Line 245
| Orbed | is the moon and bright, | 'Tis the "witching time of night", Line 2
Blazing Hyperion on his | orbed | fire | Hyperion: A Fragment, Book I, Line 166
My wrath against thee for the | orbed | world. | Otho the Great, ACT IV, SCENE II, Gersa, Line 91
Blazing Hyperion on his | orbed | fire | The Fall of Hyperion: A Dream, CANTO II, Line 15
ORBING............1
| Orbing | along the serene firmament | Otho the Great, ACT IV, SCENE I, Auranthe, Line 79
ORBS..............3
To commune with those | orbs | , once more I rais'd | Endymion: A Poetic Romance, Book I, Line 600
But meeting her blue | orbs | ! Who, who can write | Endymion: A Poetic Romance, Book II, Line 531
There was no recognition in those | orbs | . | Lamia, PART II, Line 260
ORBY..............1
Now I begin to feel thine | orby | power | Endymion: A Poetic Romance, Book III, Line 180
ORDER.............3
Such thousands of shut eyes in | order | plac'd; | Endymion: A Poetic Romance, Book III, Line 738
Through bronzed lyre in tragic | order | go, | Isabella; or, The Pot of Basil, Line 443
In white robes, and themselves in | order | placed | Lamia, PART II, Line 196
ORDER'D...........1
And | order'd | some death-warrants to be sent | The Jealousies, Line 178
ORDERS............1
These | orders | given, the Prince, in half a pet, | The Jealousies, Line 199
ORDINARY..........1
Trot round the quarto - | ordinary | time! | The Jealousies, Line 638
ORE...............3
With quivering | ore | : 'twas even an awful shine | Endymion: A Poetic Romance, Book I, Line 352
Through caves, and palaces of mottled | ore | , | Endymion: A Poetic Romance, Book II, Line 594
To search its sullen entrails rich with | ore | , | The Fall of Hyperion: A Dream, CANTO I, Line 274
OREAD.............2
An arch face peep'd,- an | Oread | as I guess'd. | Endymion: A Poetic Romance, Book I, Line 671
O | Oread | -Queen! would that thou hadst a pain | Endymion: A Poetic Romance, Book II, Line 961
ORED..............1
To take the rich- | ored | driftings of the flood. | Isabella; or, The Pot of Basil, Line 112
ORGAN.............5
In solemn tenour and deep | organ | tone: | Hyperion: A Fragment, Book I, Line 48
Grew up like | organ | , that begins anew | Hyperion: A Fragment, Book II, Line 126
In solemn tenor and deep | organ | tune; | The Fall of Hyperion: A Dream, CANTO I, Line 350
From a Man-Tiger- | Organ | , prettiest of his toys." | The Jealousies, Line 333
Than the Emperor when he play'd on his Man-Tiger- | Organ | . | The Jealousies, Line 342
ORGANIC...........1
Chief of | organic | numbers! | Lines on Seeing a Lock of Milton's Hair, Line 1
ORGANS............2
Hollow | organs | all the day; | Not Aladdin magian, Line 30
While play'd the | organs | loud and sweet. | The Eve of St. Mark, Line 22
ORIENT............1
Now Morning from her | orient | chamber came, | Imitation of Spenser, Line 1
ORIGINAL..........1
Plain in our own | original | mood and tense, | The Jealousies, Line 791
ORION.............1
Or blind | Orion | hungry for the morn. | Endymion: A Poetic Romance, Book II, Line 198
ORPHEAN...........2
Alone? No, no; and by the | Orphean | lute, | Endymion: A Poetic Romance, Book II, Line 164
I should have | Orphean | lips, and Plato's fancy, | Otho the Great, ACT V, SCENE V, Ludolph, Line 23
ORPHEUS...........3
In every place where infant | Orpheus | slept. | Endymion: A Poetic Romance, Book I, Line 794
Thou leddest | Orpheus | through the gleams of death; | Endymion: A Poetic Romance, Book III, Line 98
But | Orpheus | -like at an Eurydice; | Lamia, PART I, Line 248
ORTHODOXY.........1
With | orthodoxy | ; | O Some Skulls in Beauley Abbey, near Inverness, Line 10